Showing posts with label woodpigeon. Show all posts
Showing posts with label woodpigeon. Show all posts

Wednesday, March 9, 2022

I listen to a lot of music from Canada (and other exciting observations about my music listening history)

If you know me well you know that I like numbers and graphs. You may have seen me post a lot of graphs and interpretation that I made about COVID. Here are some numbers and graphs about a more fun topic.

Every year at the beginning of December I see lots of people post their "Spotify Wrapped" on social media. It's always interesting to me to see what music other people listened to the most in the year. But for me personally, I want more than that. So this is kind of like a much nerdier and more detailed version of a Spotify Wrapped. And not just for a year, but for most of my adult life.

Since 2005, I've used the website last.fm to keep track of all the music I listen to (on a computer or iPod, at least; it can also track music you listen to on streaming services on your phone but I very rarely stream music on my phone). The popularity of Spotify Wrapped makes it clear that a lot of people enjoy being able to see stats about the music they listen to, so I recommend the website if you want more of that! If you go to my profile and scroll down, you can see my top eight artists (all time) displayed, kind of like a Spotify Wrapped:


Definitely a big lead for Okkervil River in first place. If you click around you can see breakdowns by artist, by song, by album, over different periods of time. But because I'm such a data nerd, that wasn't enough for me. Luckily, a kind person made a website that exports your entire listening history as a CSV file you can download. So after doing this, I used the programming language R (running under RStudio) to play around with the data.

Here are some of the results I found interesting. Will anyone else find them interesting? Maybe? But lots of people post their Spotify Wrapped every year, so I'm going to post this.

Top artists by year

Here's a scatter plot of my top five artists for each year by year and number of plays. There's a lot of information here so apologies for the small text. Click to open and zoom in if you care to.


Observations:

-For 2005 the data only cover the last five months of the year, hence the second through fifth place artists having low numbers. Still, I listened to songs by Ozma over 1400 times. I was super obsessed with Ozma when I started using last.fm.

-Okkervil River has by far the most appearances in my yearly top five with ten. Next is Typhoon with six. 

-The top seven yearly totals are all either Ozma, Okkervil River, or Woodpigeon.

-The highest yearly totals are all in the earlier years. In more recent years my music listening has become more spread out over a larger number of artists.

-The Weather Station in 2021 recorded my highest yearly total for one artist in nearly ten years.

Top single months for artists

These are the top fifteen totals recorded by artists for single months:

Woodpigeon comes in with three of the top five. Like Ozma, I was also super obsessed with Woodpigeon for a time. I like the story of how I discovered Woodpigeon. When Cara and I saw A Northern Chorus's farewell show in Hamilton, Ontario, in 2008, the next day we went to a music store there and each picked out one used CD to buy (knowing nothing about the music except for what we could see in the artwork and liner notes; it was a thing we often enjoyed doing). Woodpigeon's Songbook was Cara's pick. If you're an indie pop fan, I highly recommend checking out that album and even more so their subsequent album Treasury Library Canada. Sadly, Woodpigeon is the only artist in my top twenty overall artists that I've never seen live.

The way that my music has become more spread out over a larger number of artists and less concentrated on single artists is also evident here as the National's October 2019 tally is the only one on this list more recent than 2013.

Looking at this list, it's fun to think back on what was happening in my life and why I was listening to those particular bands so much in those years and months. Which is a good segue into...

I listen to an awful lot of Sufjan Stevens in December

Sufjan Stevens came in fourth on the above list with his December 2012 tally. That was the month after the release of his second five-disc box set of Christmas music. Yes, he has released ten discs' worth of Christmas music (a mix of traditional and original songs). And I love all of it. To me, Sufjan Stevens' music basically is the Christmas season. December 2012 was also when Cara and I saw Sufjan's spectacular Christmas show at the Beachland Ballroom. Definitely one of the best shows I've ever attended. So December 2012 stands out the most, but every single December, I'm putting all that Sufjan Christmas music in heavy rotation. And so if you take each of my top nine artists overall and sum up how much I've listened to them by month of the year for the entire 2005-2021 period, you get this:


There's one month for one artist that is a really huge outlier here! Everything else is fairly random, although I enjoy the nice oscillatory pattern on the Okkervil River graph.

Now let's move on to...

My music listening habits by geography (or, I listen to a lot of music from Canada)

I took every artist for whom I've recorded at least 100 total plays and manually annotated their nations of origin (as well as state or province for American and Canadian bands). First, here's a graph showing all the nations that appeared in my history, with the total number of listens for each:


The USA has the most by far, which is obviously not surprising. But the USA also has a much larger population than any of the other countries on here. What happens if we adjust the numbers to make them a ratio of the number of plays to the national population? Then we get this:


Canada surges into the lead! Interestingly, Iceland is second. Iceland's population of 366,000 is slightly smaller than the city proper population of Cleveland, Ohio. The USA is now third. I've noticed for quite a while that there's a disproportionate amount of music that I listen to from Canada considering how much smaller a population it has than the US. There's just something about those Canadians, man.

And here's a similar analysis but in list form for the top states and provinces of my music listening history. First ranked by raw number of plays:


No surprise that California comes in first considering its huge population and sizeable music scene, but it just barely edges out Ontario. Now to reorder the list by the population-adjusted numbers:

I think the fact that the top eight states and provinces on this list consist of four Canadian provinces along with the states of Oregon, Washington, Maine, and Ohio is easily the most "on brand" thing for me in this post.

And last, what I consider by far the most interesting result from the analysis I did:

Trends in my music listening by vocalist gender

Similar to the geographical annotation, I also manually annotated by lead vocals: male, female, both, or none (none meaning music without vocals or with extremely minimal vocals). I didn't really have strictly defined criteria for the categorization but just went with what felt right, so Arcade Fire counted as "male" because Win Butler does lead on a large majority of the songs with just the occasional RĂ©gine Chassagne song, whereas the New Pornographers counted as "both" because even though most of the songs do have male lead vocals, there are a substantial number of songs throughout their catalog with Neko Case or occasionally another female vocalist taking lead.

I then excluded the "both" and "none" artists (a small fraction of the total), calculated the fraction of what remained that fell under "male" vs. "female" for each year, and got this graph:

It's just such a striking trend! When I first started using last.fm in 2005, I listened to almost no music with female lead vocals. This had been true for as long as I listened to mostly music of my own choosing, going back to adolescence. 2005 was when I first started to really expand my taste in music. And going forward, there was a steady increase in how much music with female lead vocals I listened to. Finally, in 2020 and 2021, I reached very close to a 50/50 balance. It's just such an interesting trend to me. If you're a stats nerd, you might appreciate that a linear regression of fraction (either female or male) against year has a whopping 0.86 R-squared value (p = 5.1 x 10^-8).

I think it says something about how boys are socialized to avoid "girly" things. I don't remember ever having an active dislike for music with female vocals. But I still tended not to choose to listen to it. Then, as an adult, as I explored more and more music, and started to just listen to whatever I enjoyed listening to, this eventually led to a near perfect balance of vocals by gender. Funny how that worked out.

So that includes my super nerdy analysis of my music listening history. I hope someone else found it entertaining, but at the very least I did! It's a more cheery topic for graphs than how many people have died from COVID, so at least there's that.

Wednesday, March 10, 2010

Music roundup

It's been too long since I wrote anything here, but I've been quite busy recently.

Yesterday Woodpigeon's new album Die Stadt Muzikanten was officially released in the United States some two months after the Canadian release. It's an amazing album that anyone who likes artists like Sufjan Stevens or Belle and Sebastian should definitely check out. I wrote a review a while back. I hope this album does well, because I really really really want Woodpigeon to do a U.S. tour and come to Cleveland!

Also yesterday, Family of the Year put out a new five-song EP. I first became aware of this young band when they opened for Edward Sharpe & the Magnetic Zeros in Kent last fall. I was impressed with their performance and thoroughly enjoyed their album Songbook. The new EP Through the Trees is a solid followup. I especially enjoy "Princess and the Pea," which is highlighted by some sexy horns, and the catchy "Chugjug."

Family of the Year will be playing at the Beachland Tavern tomorrow night, opening for Ben Sollee and Daniel Martin Moore, who are touring in support of their new album Dear Companion. I saw Ben Sollee in a stripped-down performance (just him and a female vocalist) at the Spot last fall and was impressed by his soulful voice and cello playing. This should be a good show. Conveniently, a Daytrotter session with four songs from Dear Companion was recently posted.

And here's a new Daytrotter session that shouldn't be missed: Megafaun. These guys put on one of the best live shows I saw last year. They'll be playing at the Beachland Tavern again on April 7, just four days after Shearwater. There are a lot of good concerts coming to Cleveland in the next few months!

Sunday, January 24, 2010

Woodpigeon: Die Stadt Muzikanten and Balladeer

It's unfortunate that Balladeer / To All the Guys I've Loved Before, the new album just released by Calgary band Woodpigeon, is likely to be largely overlooked. It's another collection of indie folk gems by Mark Hamilton, Woodpigeon's amazingly prolific and talented leader. This is a quieter album than Treasury Library Canada or Songbook, Woodpigeon's previous full-lengths. It's more reminiscent of the Houndstooth EP, with songs primarily driven by acoustic guitar and vocals, although additional flourishes from instruments like violin or clarinet are employed masterfully.

Hamilton has a knack for great melodies, and great lyrics to match. He conjures up some nice imagery in "So Hold": In a flat tin box/Your first letter to me, five years on/Didn't read what you wrote/Cuz I'm sure by now, it's not what I'd want. Album closer "Beth Jeans Sleepover" is just a really gorgeous song, while the haunting "An Entanglement of Weeds" deserves special mention. It clocks in at nearly seven minutes long and tells the tale of a twelve year old boy drowning after falling into a river while attempting to rescue his friend, recounting his thoughts as he realizes that he is going to die.

Why is this fantastic album almost undoubtedly going to receive little attention? Well, despite containing 12 songs and 44 minutes of all new material, Balladeer is merely a bonus disc attached to Woodpigeon's other new album, Die Stadt Muzikanten (did I mention that Mark Hamilton is very prolific??).

And while Balladeer is an excellent piece of work, Die Stadt Muzikanten does deserve top billing. It's a masterpiece, Woodpigeon's best album yet. I've previously written that the main elements that make Woodpigeon's music so appealing are the catchy melodies, lush instrumentation, and boy-girl harmonies that I can only describe as delicious. All of that is still present in spades. Die Stadt Muzikanten, though, just sounds bigger than any previous Woodpigeon release. While comparisons to artists like Belle and Sebastian or Sufjan Stevens may still be appropriate, Woodpigeon have really found their own sound here. They're equally adept at infectious chamber pop ("Empty-Hall Sing-Along," "Enchantee Janvier") and heart-achingly beautiful balladry ("Spirehouse," "Our Love is as Tall as the Calgary Tower"). They rock harder than they have in the past on "The Street Noise Gives You Away" and "My Denial in Argyle" (the most danceable Woodpigeon track yet). And I would be remiss to leave out a pair of nautically themed numbers. "Redbeard" is a clever song in which the protagonist hunts down a pirate who "stole and burned most everything, the life that I once knew," for the purpose of revenge, only to fall in love. "...And as the Ship Went Down, You'd Never Looked Finer" is a tour de force. It contains the most interesting arrangements and instrumentation on the album, building from a simple, repetitive percussion and piano intro to a rousing climax with violin, banjo, accordion, and stirring vocals playing key roles along the way. It's interesting that on both Balladeer and Die Stadt Muzikanten, a strong contender for the title of best track is about drowning - Colin Meloy would be proud.

Die Stadt Muzikanten can be streamed in full on Woodpigeon's website. The album won't be officially released in the U.S. until March, but is available to purchase from digital retailers, and the CD version can be ordered from Boompa. I would highly recommend the latter; the bonus disc alone is worth the price of admission, and Balladeer is only available with physical copies of the album.