There was a point in time, fifteen years ago, when there was no band I had seen live more times than Piebald.
This is funny, because the first time I went to see Piebald live, my liking of their music was really a secondary reason for me going.
That show happened in October 2005, and was not only the first time I saw Piebald, but also the first time I went to the Grog Shop in Cleveland Heights (the Cleveland suburb where I now live), one of my favorite music venues and one where I've seen so many fantastic shows over the years. The main reason that I went to that show was that I secretly hoped to get inside info about the rumors on the Internet that my favorite band Ozma would be reuniting, and I knew that members of Piebald and Ozma were friends with each other. I hardly knew any of Piebald's music at the time, just a few songs I'd downloaded from their website.
I went to the show wearing an Ozma t-shirt, which did indeed lead to me getting inside info, as more than one member of Piebald complimented my shirt and then told me about Ozma's plans to reunite, information that thrilled me to a fairly ridiculous degree. But the show itself was also a revelation. I hadn't been to a whole lot of concerts yet at that point in my life, and I don't know if there had been any that were just as much pure fun as that one. I vividly remember standing in front of the stage by the large speaker at the right side of the room and enthusiastically banging my head to the heavy guitar chords of Piebald's emo-tinged rock music.
After the show, I was hanging out by the bar with a couple friends and a Grog Shop employee asked if we'd like a promotional poster from the show. I gladly took one, a memento of a very memorable night, and 17 years later it's hanging in my bedroom.
I saw Piebald twice more at the Grog Shop before, in 2007, they announced they were breaking up, and so I saw them one last time at the Agora, bringing my total number of Piebald shows to four. There they were one of the opening acts for the Format, a band I wasn't particularly into, and I didn't stay until the end of the show. The Piebald set was very fun, but also sad, because I thought I'd never get to see them again.
It turned out I was wrong! They got back together and toured again starting in 2016, and another Grog Shop show in July 2017 was again one of the most fun shows I've ever been to. I wrote about this show along with Okkervil River and Andrew Bird shows I saw the same week. Wow, what a week of shows that was, and also, wow, what a different place my life was at, and what a crazy unfolding of events has proceeded to happen in the years since.
Piebald's album We Are the Only Friends We Have is one of my all-time favorites. It's just such a fun album from front to back. I was completely obsessed with it for a period of time after I bought the album. It also holds a special place in my heart as the pump up music of choice for both Cara and me on early morning drives to cycling events I went to with her and later by myself. A few months ago Piebald announced they'd be playing a few end of 2022 shows for the 20th anniversary of the album. I immediately began to consider going.
There's another Ozma connection here. In December 2019 I took a trip to California to see 20th anniversary shows for Ozma's Rock and Roll Part Three, an amazing trip and my favorite shows I've ever attended. That experience definitely made me think taking a similar trip for Piebald would be worth doing.
It ended up being something of a last minute decision to go, however, due in large part to the turbulent mental health I've been experiencing of late. But a week before the December 30 show at the Market Hotel in Brooklyn, I did pull the trigger on purchasing a ticket to the show and a plane ticket to New York.
It ended up being a very good decision. There's a lesson here. There have been a number of times when I've questioned whether I really wanted to go on a trip due to how I was feeling or things going on in my life. Every single time that I've made the decision to go, I've ended up being glad that I did. So I think that's some good data to have collected and to inform future decision making.
Going on a trip centered around seeing a favorite band live but that also involves spending time in a fun destination is one of my absolute favorite things to do. This was another such trip, a fairly short one, but a very good one. I got into town the day before the show and went on a great walk from my Manhattan hotel, including walking through Central Park, and thinking about previous times I'd been there (a topic for another planned blog post).
I also went to one of my favorite restaurants, Coppelia, and later that night to a very cool speakeasy called Patent Pending that is located in the building where Nikola Tesla once lived and worked.
I love visiting New York. There's so much to do and see and so much amazing food. I also love how easy it is to get around the city without a car. It really stands above any other American city in that regard.
The 30th was another fun day, and with great weather. I got a delicious bagel sandwich with smoked trout, walked the High Line, and checked out a cool bookstore. The main event, of course, was coming up that evening in Brooklyn. Before making my way to the concert venue, I also got a delicious pizza dinner at Roberta's, a restaurant my former Brooklyn resident sister had suggested.
I was surprised when I got to the concert venue shortly after the door time, 7, and not only were doors not open but also there was hardly anyone there waiting. It was a sparse crowd at first, but filled out well by the time Piebald played. All three openers - Rites of Springfield, Rebuilder, and Phony, put on energetic, fun sets. And then it was time for Piebald to take the stage.
There's a feeling of excitement I get about seeing one of my most favorite bands live that little else can compare to. That feeling was definitely present that night. Seeing a favorite album performed from front to back live is a rare and special thing to experience. And We Are the Only Friends We Have is an especially good album to experience that way.
When the familiar opening notes of "King of the Road" filled the room, the crowd went wild. The first four songs of Friends - "King of the Road," "Just a Simple Plan," "American Hearts," and "Long Nights," comprise one of the best opening quartets of any album I know. Seeing them performed in order live? That was something else.
Being in a crowded room, seeing a band you love play music you love, and surrounded by other people who love that music, is one of life's most special experiences. I'm always grateful whenever I get to have that experience. And this was definitely one of the top such experiences I've had since the pandemic temporarily made such experiences forbidden.
At times lead singer Travis Shettel wandered out into the crowd, holding the mic out in front of the faces of delighted fans. There was plenty of dancing, banging of heads, and pumping of fists. There was a little moshing (I could have used more, but that's okay). And there was a room full of people singing and screaming out the familiar lyrics of those twelve great songs. Album closer "Sex Sells and (Unfortunately) I'm Buying" features horn parts that were (unfortunately) not part of the live show, but some audience members did a nice job singing those parts instead.
Market Hotel is a cool venue. Nothing fancy, just a small-to-medium size room with an elevated stage at one end and a bar at the back. What more do you need? The unusual feature that makes it stand out is this - the room is upstairs in the building where it resides, and directly behind the stage is a window that looks out onto an elevated subway platform. Seeing trains pass behind the stage throughout the show was just such a cool visual that enhanced an already great setting!
After the show, waiting for the train back to Manhattan, it was also cool to see that window from the other side and think about the great time I'd just had inside that room. It felt like a very New York thing, something I'd be unlikely to experience anywhere else, at least not in this country.
Several times during the show Travis expressed great gratitude at the fact that we were all there to see them. It was amazing, he remarked, that music they had made twenty years ago was still loved so much by people today. At one point he asked if anyone there had seen them in the '90s (the band actually got their start at very young ages way back in 1994) and I was surprised by the number of cheers from the audience. That was long, long before my concertgoing days.
I definitely thought back to that night in October 2005 and to how much younger the members of the band had looked back then, and how much less young they look today. Which of course speaks to the same about me. But that's life. Where did those 17 years go?
After playing the twelve songs of Friends, the band took a quick break without leaving the stage and then continued to thrill the audience with some additional songs from other albums (mostly from 1999's If It Weren't for Venetian Blinds, It Would Be Curtains for Us All, another classic album and also one of my favorite album titles). I was especially glad when they kicked off the extra material with "Grace Kelly With Wings," one of the handful of songs I'd downloaded when I first checked out the band and therefore one of the few songs I recognized the first time I saw them, and a favorite ever since.
The show seemed to be over after five more songs were played, as the house music started up. The crowd continued to applaud, and then chants of "one more song" started up, and then I laughed when I looked over and realized the chants were being led by Piebald guitarist Aaron Stuart, who had descended from the stage and was standing in front of it and acting like he was an audience member! After two more songs, the show was over, and what a great show it was. Sneaking in before the deadline as a contender for my favorite concert of 2022.
After I took the train back to Manhattan, I stopped at a bar by my hotel for a drink. The bartender asked how my night was. I told him about how I was in town from Cleveland and had just seen a 20th anniversary concert for one of my favorite albums. He asked what the name of the band and album were. When I told him the album title, We Are the Only Friends We Have, he said, "That just broke my heart a little."
I reassured him that it wasn't sad music (not that I'm not also a fan of sad music), it's actually a really fun album, and he said he hadn't meant that as a bad thing. I mean, not that I had taken it as one. He said there was an old Irish saying, and I forget exactly what it was he said, but it was something to the effect of, does life have meaning without heartbreak?
My Google search failed to find the saying he quoted. When I searched for "Irish saying about heartbreak," the closest result was, "Death leaves a heartache no one can heal, love leaves a memory no one can steal." Which, yeah, I can relate to. Who knows whether the bartender was quoting an obscure saying I couldn't find in my search, or whether he was misremembering, or whether he was making it up?
Anyway, I can appreciate the sentiment. The Jeff of five or so years ago might have taken the opportunity to launch into an account of all the heartbreak I've already experienced. The Jeff of today didn't feel the need to do that. I could definitely use a little less heartbreak going forward, but I'm ever hopeful.
